Experimental Works: Indeterminate Self Theme

Canady Creative arts Center
Bloch Hall Theater
3:00 PM - 4:00 PM

LOST

Masoud Moein
Year: 2023

As we encounter a city, we experience different emotions and feelings which are caused by our personal and collective experiences. A feeling of happiness, pride, fear, hope, sadness, and sometimes "Being Lost". This video is made of a 13-second repetitive loop.

Bio: Masoud Moein was born in 1986 in Arak, Iran. There, he got his Graphic Diploma, then successfully earned Digital Arts BA Scholarship from Tehran IRIB University. At the same time, he began his very first experiences in creating music videos and video arts. Masoud has always been interested in experiencing new challenges and producing unconventional art works and always tried to be courageous in experiencing new challenges and mixing sound, video and animation techniques. Masoud Moein has already created more than 30 short videos which have been displayed and awarded in many international festivals, such as Nashville, Rain Dance, Encounters and New Orleans Film Festival.

Run Time: 0:46
Country: Iran

Skinned

Mike Hoolboom
Year: 2020

A terrible virus finally brings down the internet, and humans look out from the wreckage in the aftermath. Five weigh in with personal recollections: pensive, disbelieving, grieving, philosophical. We used to have movie stars and famous musicians. Now we had each other.

Bio:
Mike Hoolboom began making movies in 1980. Making as practice, a daily application. Ongoing remixology. 100+ movies, 100 fest awards. Feature-length bio docs, then long series of works about capitalism. The animating question of community: how can I help you? Interviews with media artists for 3 decades. 30+ books, written, edited, co-edited. Local ecologies. Volunteerism. Opening the door.

Run Time: 8:34
Country: Canada

?!%$&*#@$^*()}!@#|%>?

Clare Chong, Sonia Kwek
Year: 2022

Two bodies emerge, one of flesh and one of metal. Both are cautious of, yet compelled towards each other. This evolves into a game of hide and seek.


”Can you see me now?”
”Can you see you now?”

Can friendship truly form, or will we always be stuck in a limbo of a human vs machine narrative? ?!%$&*#@$^*()}!@#|%>? is a cry to connect, to be seen by each other, to come together.

Run Time: 7:25
Country: Singapore

Bio: Clare Chong (b. 1996, Singapore) works with undertones of the mundane. She is concerned with issues prevalent in ordinary life; the wink of an eye, the slight curl of the lips, a twitch in the ears. Her subjects are quiet outcasts of society we don’t pay attention to, and her works challenges means of gazing and observing - To what extent do we impose our preconceived notions, judgements, and opinions onto an image?

Chong completed her International Baccalaureate Diploma at SOTA School Of The Arts, and her Bachelor’s Degree in Film at Lasalle College Of The Arts. She works as a film director with works ranging across short films, music videos, documentaries, commercials, experimental films, video art and installation pieces. She is currently signed to Director’s Think Tank.

Sonia Kwek (b. 1990, Singapore) roots her practice in performance and the body as material/medium, examining the potency of their politics. She is interested in corporeal sensualities, the kinesics of feminine identity and latent tensions between visuality and the unseen. Her works unfold through movement, theatre, live art, installation, video, image, experiential experiments, etc as she draws from different artistic modalities to create intimate encounters and visceral experiences. Sonia often collaborates with other artists in interdisciplinary projects spanning across varying sites, spaces, places.

LIGHT LEAK

Nate Dorr
Year: 2021

(Possible strobe warning: gets mild-to-moderately flickery in a few scenes.) Light is information, a signal more lasting than recollection. If there’s anyone out there to receive the message. Isolated in a sealed apartment, a lone observer regards an outside world outside become increasingly unreal or unreachable. Archaic illuminations, old slides and the pin-lights of the camera obscura, crawl across the walls. Connections fray. Time loses meaning. A science fictional essay film, or its inverse. A rumination on optics, memory, data, and endings.

Bio: Our species remakes its environment on a massive scale, leaving altered landforms in its wake, even long after it has moved on. My work skirts the outer edges of the human and post-human city, tracing the phantom contours of this penultimate decade. Based in Brooklyn. Operated a neuroscience lab, documented the DIY music scene, curated multiple film festivals. Recent work has shown at festivals like Doc NYC, Ji.hlava, Alchemy, Antimatter [media art], Prismatic Ground, Cosmic Rays, the Copenhagen Architecture Festival, and Imagine Science. Installations have been presented at the Queens Museum, the Staten Island Museum, Old Stone House, the Seaport Museum, Flux Factory, Works on Water, and Radiator Gallery.

Run Time: 8:20
Country: USA

invisible world

Kym McDaniel
Year: 2023

To apply for an accessible or Crip parking placard, a doctor within the state must approve the application. As part of the application, there are six medical conditions which qualify a person for a placard. These conditions include: (1) cannot walk two hundred feet without stopping to rest; (2) cannot walk without the use of an assistance device; (3) is restricted by lung disease; (4) uses portable oxygen; (5) has a cardiac condition; (6) is severely limited in their ability to walk due to an arthritic, neurological, or orthopedic conditions. Many people with disabilities are included in these categories, and many are not. This film is a record of my introduction to healthcare in the state of Utah. My processing of the appointment and consequential aftermath as a video object serves as a reclamation and assertion for understanding disability and the physical world otherwise.

Bio: Kym McDaniel (she/her) is queer, invisibly disabled, experimental filmmaker, choreographer, and performer. She began working in video after a head injury changed her relationship to her body, dance, and choreography. She uses image collages, text, gesture, and the body to explore chronic illness, queerness/disability, and structural dissociation. She is an AmSAT Alexander Technique teacher and has an MFA in Film, Video, Animation, and New Genres from the University of Wisconsin-Milwaukee.

Run Time: 4:51
Country: USA

women

Tracy Miller-Robbins
Year: 2022

Created more than 60 original portrait drawings which were then processed by an AI machine learning program to create new versions, as it learned from the images. Resulting work evokes temporality and fragmentation of self, while hinting at facial recognition systems.

Bio: Tracy Miller-Robbins is a visual artist, experimental animator and educator who creates works that merge analogue with digital methods, resulting in prints, art projections, short films and site specific animated installations. She holds a bachelors degree in Painting from the Art Academy of Cincinnati and a master's degree in Electronic Art from the University of Cincinnati, College of DAAP. Tracy spent 25 years as a Professor at an art college in Ohio, and has conducted community workshops and collaborative projects for over 10 years. Tracy's work has been shown at Siggraph, InterCHI, European Media Arts Festival, Digital Graffiti Festival, SUPERTOON, Torpedo Factory Art Center, Melbourne International Animation Festival, CICA Museum, Anteros Art Gallery, Filmideo, Rush Process, Mosaic World Film Festival, ANIMAZE, Animafest Zagreb and the World Animation Celebration. Tracy's current research focuses on exploring new methods and approaches to animating that blur the line between digital and analogue, as well as that of figurative and abstraction. She lives and works in Cincinnati, Ohio.

Run Time: 1:30
Country: USA

know no now

Karl Erickson
Year: 2023

Know No Now is an animation of two puppets, Jelly Pop and Perky Jean, struggling to figure out how to live beyond the present moment of extraction-based capitalism and the resulting environmental destruction. Working through fear (of language, of the other, of time, and of the self), Jelly Pop and Perky Jean arrive at a mental space in which they imagine themselves outside of time, no longer ego driven, and having a long view of existence.

Know No Now was created in collaboration with Artificial Intelligence and is part of an ongoing project in which I am working with Artificial Intelligence to create absurd educational programming inspired by A.I.s’ (mis)understandings of children’s television shows, emphasizing how human-caused environmental collapse is communicated. For Know No Now I asked A.I. to create two ideal puppets for explaining climate change, one more free-spirited, the other more worried, resulting in Jelly Pop and Perky Jean. I then modeled and animated them with 3D software. For the script, I prompted another A.I. to help write the “songs” and situations, including two puppets being confused by the similar sounding and looking words “know,” “no,” and “now.” Finally, additional animations were created that transform between images in order to make the interstitial scenes, which move the puppets from positions of terror about the unknown future into an acceptance of the long now.

Bio: Karl Erickson lives in Memphis, Tennessee. He received his MFA from California Institute of the Arts and his BFA from Wayne State University. He makes videos and audio/visual-performances about language, transformative experiences, self-betterment and environmentalism. His screen-based work takes place in galleries, museums, film festivals and music venues. He is particularly interested in how communication and kinship can be made across different entities, plants to humans, machines to animals.

Run Time: 5:03
Country: USA

The end of the world

Ali Aschman
Year: 2023

How do we relate to the concept of climate catastrophe on a personal level? The filmmaker draws a parallel between various threats of climate change and her own visceral and emotional experience of grieving after an immense and sudden loss, questioning her capacity to care about humanity yet nonetheless showing a glimmer of hope for the future.

Bio: Ali Aschman is a London-based artist from South Africa and the United States, making experimental animated short films. Her work has been exhibited in numerous galleries in the US and screened at festivals worldwide. She has studied at the University of Cape Town, the School of the Art Institute of Chicago and the Royal College of Art. She is the Pathway Leader for Animation & Film at Cambridge School of Visual and Performing Arts.

Run Time: 3:00
Country: United Kingdom

Time crystals

Abinadi Meza
Year: 2021

ime Crystals is an experimental short film about images, memory, and time, as told by a not-quite-human narrator. This synthetic narrator is remembering time through images, though it's not clear if the memories are real, if they are fantasies, or something in-between. The narrator describes finding patterns in time, which "she" calls time crystals. We do not know if this enigmatic film is a record, a signal, or a dream.

Bio: Abinadi Meza (US/MX) is a Latinx-Indigenous (Wixárika) artist and filmmaker based in Austin, Texas. His films have been presented at Crossroads Festival, San Francisco; Houston Cinema Arts Festival; Athens International Film & Video Festival (US); Salt Lake City Film Festival; Atlanta Film Festival; Anthology Film Archives, New York; Cosmic Rays Film Festival, Chapel Hill; Taos Center for the Arts, New Mexico; Festival ECRÃ, Rio de Janeiro; Bogotá Experimental Film Festival; Mientras Tanto Cine, Montevideo; Ribalta Experimental Film Festival (IT); Sipontum Arthouse International Film Festival (IT); Kassel Dokfest (DE); Northern Film Festival (NL); Flatpack Film Festival, Birmingham; Aesthetica Film Festival, York; Irish Museum of Modern Art, Dublin; Dingle International Film Festival (IE); non-syntax Festival, Taipei; and Wellington Underground Film Festival, among other venues.

Run Time: 5:35
Country: Mexico

oilmoonnight

Anna Malina Zemlianski
Year: 2022

A revenge fantasy. A corrupted & glitched daydream. A futile endeavor to cope with visions of terror... Sunflower Fields Forever!

Made with footage and sounds from several films by Yevgeni Yufit; datamoshed with avidemux, inkjet printed, collaged and scanned.

Run Time: 5:26
Country: Germany